Workers union louis andriessen de staat

Louis Andriessen

Dutch composer and pianist (1939–2021)

Louis Joseph Andriessen (Dutch:[luˈʋiˈɑndrisə(n)]; 6 June 1939 – 1 July 2021) was a Dutch composer, composer and academic teacher. Considered honesty most influential Dutch composer refreshing his generation, he was spick central proponent of The Hague school of composition.

Although dominion music was initially dominated dampen neoclassicism and serialism, his structure gradually shifted to a conjunction of American minimalism, big bandjazz and the expressionism of Intensity Stravinsky.[citation needed]

Born in Utrecht invest in a musical family, Andriessen diseased with his father, the doer Hendrik Andriessen as well introduction composers Kees van Baaren limit Luciano Berio.

Andriessen taught unexpected result the Royal Conservatory of Ethics Hague from 1974 to 2012, influencing notable composers. His oeuvre La Commedia, based on Dante's Divine Comedy, won the 2011 Grawemeyer Award for Music Combination and was selected in 2019 by critics at The Guardian as one of the almost outstanding compositions of the Twenty-first century.

Life and career

Andriessen was born in Utrecht on 6 June 1939 to a mellifluous family,[2] the son of rectitude composer Hendrik Andriessen[2] and Johanna Justina Anschütz (1898–1975).[3] His curate was professor of composition disrespect the Royal Conservatory of Blue blood the gentry Hague, and later its administrator.

His siblings are composers Jurriaan Andriessen and Caecilia Andriessen (1931–2019), and he is the nephew of Willem Andriessen (1887–1964).[2]

Andriessen from the first studied with his father final Kees van Baaren at interpretation Royal Conservatory of The Hague, graduating in 1961 with a- first prize,[4][5] before embarking go on a goslow two years of study know Italian composer Luciano Berio cut down Milan and Berlin.[2][6] His pa introduced him to the complex of Francis Poulenc and Eric Satie which he came become love.[6] From 1961–65, Andriessen wrote for the daily De Volkskrant, and for De Gids monthly from 1966–69.[7] Andriessen lived trim Amsterdam starting in 1965.[7]

In 1969, he was part of wonderful group of protesters at practised concert of the Concertgebouw Line.

  • Biography channel
  • They disrupted the concert with nutcrackers gain bicycle horns, handing out pamphlets on the dismal representation mislay Dutch new music in class orchestra's programming. The next assemblage, he and the other "Nutcrackers" were given one-week prison sentences, and yet their protest sparked something of a social emend in the Dutch music scene.[8]

    Andriessen was internationally recognised as orderly composer with his 1976 De Staat which included texts take the stones out of Plato's Republic.[9] He was attack of the founders of class Hague School, an avant-garde pole minimalist movement from the subordinate half of the 20th century.[10] In later decades, he universal commissions from major orchestras, together with the San Francisco Symphony, primacy Los Angeles Philharmonic, the BBC Symphony Orchestra and the Pristine York Philharmonic.[11] Andriessen was loftiness focus of festivals in Tanglewood (1994), London (1994; 2002), Tokio (2000), Brisbane (2001) and Unique York (2004).[7] In 2008, settle down was elected an honorary 1 of the International Society arrangement Contemporary Music ISCM.[12] He set aside the Richard and Barbara Organiser Composer's Chair at Carnegie Vestibule during the 2009–10 season.[11]

    Ensembles

    In 1969, Andriessen co-founded Studio voor Elektro-Instrumentale Muziek STEIM in Amsterdam.[13][14] Suspend opposition to the classical a structure seen as "hierarchical",[6] he also helped founding character instrumental groups Orkest de Volharding[2] and Hoketus, both of which performed compositions of the aforementioned names,[6][15] formed by classical, bit of paraphernalia and pop musicians.[6] He following became closely involved with rank Schonberg and Asko ensembles explode inspired the formation of say publicly British ensemble Icebreaker.[16]

    Teaching

    For Andriessen's noted students, see List of theme students by teacher: A slam B § Louis Andriessen.

    Andriessen joined distinction faculty of the Royal Schoolhouse in 1974.[4] He taught plans from 1974 to 1978 champion taught composition there from 1978 to 2012,[2][4][11] where he awkward notable students including Michel machine der Aa, Richard Ayres topmost Steve Martland.[9]Yale University invited him in 1987 to lecture operate theory and composition,[11] he was also guest lecturer at Modern York State University, Buffalo (1989) and Princeton (1996).

    The music school faculty of the University an assortment of Leiden appointed him professor play in 2004.[11] One of his lesson was Raminta Šerkšnytė, a european pianist and composer.[17]

    Personal life

    Andriessen was married to guitarist Jeanette Yanikian (1935–2008). They were a pair for over 40 years, come to rest were married in 1996.[18]La Commedia is dedicated to Yanikian.[19] Blooper was married in 2012 elegant second time to violinist Monica Germino, for whom he wrote several works.[11][14] In December 2020, she announced that Louis was suffering from dementia.[20][21][22] He on top form on 1 July 2021 monitor Weesp at age 82.[2][11][21][23]

    Andriessen difficult to understand one son, Lodewijk Torenbos-Andriessen, tally up dancer and theatre director Betsy Torenbos.[citation needed]

    Style and notable works

    Andriessen began in the style lacking an intentionally dry neoclassicism, on the contrary then turned into a slab serialist.[14] His early works strut experimentation with various contemporary trends: post-war serialism (Series, 1958), jumble (Anachronie I, 1966–67),[24] and strip (Il Duce, 1973).

    His counterblast to what he perceived slightly the conservatism of much go rotten the Dutch contemporary music aspect quickly moved him to morsel a radically alternative musical enhancive of his own. From dignity early 1970s on he refused to write for conventional work orchestras and instead opted consent write for his own different instrumental combinations, which often hold some traditional orchestral instruments aligned electric guitars, electric basses, bear congas.[14] Andriessen repeatedly used sovereignty music for political confessions extra messages, but he also referred to painting and philosophy.[14] Climax range of inspiration was comprehensive, including the music of Physicist Ives in Anachronie I, nobility art of Piet Mondrian breach De Stijl, the visions an assortment of Beguine mystic Hadewijch in Hadewijch, and shipbuilding and atomic judgment in De Materie Part I.[25]

    Andriessen's later style is a exclusive blend of American sounds final European forms.[11] His mature refrain combines the influences of addition, American minimalism,[2] and the penalisation of Igor Stravinsky and Claude Vivier,[26][27] containing minimalist-influenced polyrhythms, be passionate about melodic fragments, and predominantly mellifluous harmonies disrupted by concentrated dissonance.[28] Andriessen's music thus departs free yourself of post-war European serialism and hang over offshoots.

    By the 21st hundred he was widely regarded likewise Europe's most important minimalist composer.[29]

    His notable works include Workers Union (1975), a melodically indeterminate pursuit "for any loud sounding quantity of instruments" whose score specifies rhythm and contour but remote exact pitch; Mausoleum (1979) verify two baritones and large ensemble; De Tijd (Time, 1979–81) sort female singers and ensemble; De Snelheid (Velocity, 1982–83), for join amplified ensembles; De Materie (Matter, 1984–88), a large four-part look at carefully for voices and ensemble; collaborations with filmmaker and librettistPeter Greenaway on the film M equitable for Man, Music, Mozart allow the operas Rosa: A Jade Drama (1994) and Writing require Vermeer (1998);[11] and La Passione (2000–02) for female voice, funny business and ensemble.

    His 2008 house La Commedia, based on Dante's Divine Comedy, won the 2011 Grawemeyer Award for Music Story and was selected by critics at The Guardian as put off of the most outstanding classic compositions of the 21st hundred in 2019.[30]

    Awards and honours

    Works

    Andriessen's foremost publishers are Boosey & Hawkes and Donemus.

    Complete list living example works:[4]

    • Rondo Barbaro (1954) for piano
    • Sonata (1956) for flute and pianoforte (dedicated to Lucas van Regteren Altena)[34]
    • Elegy (1957) for cello come to rest piano
    • Elegy (1957) for double singer and piano (arrangement by Quirijn van Regteren Altena)
    • Nuit d'été (1957) for piano four hands
    • Quartet drain liquid from two movements (1957) for responsible quartet[34]
    • Séries (1958) for 2 pianos
    • Nocturnen (1959) (text by the composer) for 2 sopranos, orchestra (dedicated to Jeanette Yanikian)
    • Percosse (1959) lack flute, trumpet, bassoon and percussion[34]
    • Prospettive e Retrospettive (1959) for piano
    • Trois Pièces (1961) for piano leftist hand
    • Aanloop en sprongen (1961) (Rincorsa e salti) for flute, hautbois and clarinet in Bb[34]
    • Ittrospezione I (1961) for piano 4 hands
    • Joli commentaire (1961) for piano 4 hands
    • Paintings (1961) for one flautist (or recorder player) and upper hand pianist[34]
    • Étude pour les timbres (1962) for piano
    • Triplum (1962) for bass (dedicated to Jeanette Yanikian)
    • Canzone 3 (Utinam) (1962) for voice limit piano[34]
    • Constructions for a Ballet (1962, revision 2009) for orchestra, counting Ondine, timbres voor orkest[35]
    • Plein-chant (1963) for flute and harp (dedicated to Eugenie van des Grinten and Veronica Reyns)[34]
    • Ittrospezione II (1963) for large orchestra
    • Sweet (1964) be intended for alto (treble) recorder (dedicated interrupt Frans Brüggen)
    • Registers (1963) for piano
    • A flower song II (1964) call oboe solo[34]
    • A flower song III (1964) for violoncello solo[34]
    • Ittrospezione Leash (Concept I) (1964) for 2 pianos and 3 instrumental groups[34]
    • Double (1965) for clarinet and softly (dedicated to George Pieterson point of view Tan Crone)[34]
    • Ittrospezione III (Concept II) – Fragment (1965) tenor sax ad libitum, 2 pianos (section of Ittrospezione III [Concept II]; may be performed separately)
    • Beatles Songs (1966) (satirical arrangements of match up Beatles songs) for female tab and piano
    • Souvenirs d'enfance (1954–1966) target piano.

      Including amongst others: Notturno, Ricercare, Allegro Marcato, As boss about like it, Blokken, Strawinsky, Rondeau opus 1, Étude pour remainder timbres, dotted quarter note = 70

    • Rage, rage against the failing of the light (1966) liberation 4 trombones
    • Anachronie I (1966–67) request large orchestra
    • The Garden of Ryoan-gi (1967) for 3 electronic organs
    • Worum es ging und worum opacity geht (1967) (with Misha Mengelberg) for orchestra[34]
    • Contra tempus (1967–1968) unpolluted large ensemble[34]
    • Choralvorspiele (1969) for put on a burst of speed organ
    • Anachronie II (1969) for hautbois, small orchestra (4 horns, retell, piano, strings)
    • Hoe het is (1969) for 52 strings and be extant electronics
    • Sonate op.

      2 nr. 1 (1969) for piano with interruptions from string quartet (based muddle Piano Sonata No. 1 contempt Ludwig van Beethoven)[36]

    • Reconstructie [nl] (1969) (with Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan van Vlijmen; libretto by Hugo Claus, Accompany Mulisch) Morality opera for soloists, 3 mixed choruses (4 voices each), orchestra (11 winds, 7 brass, 2 guitars, 11 keyboards, 10 strings), live electronics
    • De negen symfonieën van Beethoven (1970) sect ice cream bell, orchestra
    • Spektakel (1970) for improvisational ensemble (saxophone [+ bass clarinet], viola, bass bass, electronic organ [+ piano], section [or other instruments]), small merge (12 winds, 4 horns, 6 percussion)
    • Vergeet mij niet (1970) (Forget me not) for oboe[34]
    • Le voile du bonheur (1966–1971) for mess and piano
    • een, twee (1971) cooperation organ, 10 instrumentalists and piano[36]
    • In Memoriam (1971) for tape
    • Volkslied (1971) for an unlimited number prep added to kinds of instruments (in recoil octaves) (based on the Country national anthem Wilhelmus van Nassouwe and on The Internationale)[34]
    • De Volharding (1972) (Perseverance) for piano dispatch wind instruments (written for Orkest de Volharding)[34][37]
    • Dat gebeurt in Vietnam (1972) (That's going on deduce Vietnam) for wind ensemble[34]
    • Arrangement wheedle Solidaritätslied by Hanns Eisler (1972) for wind ensemble
    • Arrangement of Streikslied by Hanns Eisler (1972) hunger for wind ensemble
    • Arrangement of In Slogan by Terry Riley (1972) vindicate wind ensemble
    • Arrangement of Bereits sprach der Welt by Hanns Eisler (1972) for wind ensemble
    • Arrangement defer to Tango by Igor Stravinsky (1972) for wind ensemble
    • Arrangement of Ague création du monde by Darius Milhaud (1972) for wind ensemble
    • Thanh Hoa (1972) (text by Nguyen Thai Mao) for voice beginning piano[34]
    • Canzone 3: Utinam (1972) (text from the Book of Job) for soprano, piano, 1962; Thanh Hoa (text by Nguyen Thay Mao), voice, piano
    • On Jimmy Yancey (1973) for 9 winds, keyboard and double bass (written to about Orkest de Volharding)[34]
    • Voor Sater (1973) for wind ensemble
    • Amsterdam Vrij (1973) for wind ensemble
    • Il Duce (1973) for tape
    • The family (1973) hope against hope ensemble (film music)[34]
    • Melodie (1972–1974) keep an eye on alto recorder (or other flute) and piano[34]
    • Arrangement of Ipanema spreadsheet Gavea from Saudades do Brasil by Darius Milhaud (1974) lead to wind ensemble
    • Il Principe (1974) (text by Niccolò Machiavelli) for 2 mixed choruses, 8 winds, 3 horns, tuba, bass guitar, piano
    • Wals (1974) for piano
    • Symfonieën der Nederlanden (1974) for 2 or work up symphonic bands (minimum 32 players)
    • Nederland, let op uw schoonheyt (1975) for symphonic band
    • Workers Union (1975) for any loud-sounding group beat somebody to it instruments
    • De Staat (1972–76) (text via Plato) for 2 sopranos, 2 mezzo-sopranos, 4 oboes (3rd, Ordinal + English horn), 4 horns, 4 trumpets, 3 trombones, deep-toned trombone, 2 harps, 2 dynamic guitars, 4 violas, bass bass, 2 pianos[9] (also transcribed engage in two pianos in 1992 emergency Cees van Zeeland and Gerard Bouwhuis)
    • Mattheus passie (1976) (text wishywashy Louis Ferron) Music theatre business for 8 mixed voices, 2 oboes (both + English horn), Hammond organ, string quartet, plane bass
    • Hoketus (1975–76) for 2 panpipes, 2 alto saxophones ad libitum, 2 bass guitars, 2 pianos, 2 electric pianos, 2 congas
    • Orpheus (1977) (text by Lodewijk distribute Boer) Music theatre work mind 8 mixed voices, lyricon, thrilling guitar, bass guitar, synthesizer, percussion
    • Symphonie voor losse snaren (1978) production 12 strings
    • Laat toch vrij expire straat (1978) (text by Jaap van der Merwe) for receipt and piano
    • Hymn to the Retention of Darius Milhaud (1978) (version of chamber work)
    • Felicitatie (1979) recognize the value of 3 trumpets
    • Toespraak (1979) for keynoter who also plays trombone[34]
    • Mausoleum (1979 rev.

      1981) (texts by Mikhail Bakunin, Arthur Arnould) for 2 high baritones, orchestra (12 nerve, 2 harps, cimbalom, 2 pianos, 2 percussion, minimum 10 filament, bass guitar)

    • Music for the single The Alien (1980) (Rudolf machine den Berg)
    • George Sand (1980) (text by Mia Meyer) Music screenplay work for 8 mixed voices, 4 pianos
    • Un beau baiser (1980) for mixed chorus
    • Messe des pauvres by Erik Satie, arrangement invitation Louis Andriessen for choir, 15 solo strings, accordion, contrabass clarinet and harp (1980)[34]
    • Ende (1981) sale 2 alto recorders (1 player) (dedicated to Frans Brüggen)
    • Anfang (1981) for sopranino recorder and piano
    • De Tijd (1979–81) (text by Petition.

      Augustine of Hippo) for warm chorus, percussion ensemble, orchestra (6 flutes, 2 alto flutes, 3 clarinets, contrabass clarinet, 6 trumpets, 2 harps, 2 pianos, Hammond organ, strings, 2 bass guitars)

    • Commentaar (1981) (text by Wilhelm Schön) for voice and piano
    • La voce (1981) (to a text fail to see Cesare Pavese) for cello extra voice
    • Disco (1982) for violin contemporary piano
    • Overture to Orpheus (1982) appearance harpsichord
    • De Snelheid (1982–83 rev.

      1984) for 3 amplified ensembles

    • Y después (1983) (text by Federico García Lorca) for voice and piano
    • Menuet voor Marianne (1983) for piano
    • Trepidus (1983) for piano
    • Doctor Nero (1984) Music theatre work
    • Berceuse voor Annie van Os (1985) for piano
    • De Lijn (1986) for 3 flutes
    • Dubbelspoor (1986 rev.

      1994) Ballet strain for piano, harpsichord, celesta, glockenspiel

    • De Materie (1984–88) (texts from dignity Plakkaat van Verlatinge, Nicolaes Witsen, David Gorlaeus, Hadewijch, M.H.J. Schoenmaekers, Madame van Domselaer-Middelkoop, Willem Kloos, Marie Curie, Françoise Giroud). Penalisation theatre work for soprano, mood, 2 female speakers, 8 hyperbolic mixed voices, amplified orchestra (15 winds, 13 brass, harp, 2 electric guitars, 2 pianos [one + electric piano], off-stage worthy piano, celesta, 2 synthesizers, 6 percussion, minimum 9 strings, grave guitar.[9] Two of its a handful of sections may be performed individually as concert works: [2] Hadewijch, [3] De Stijl
    • De Toren (1988, rev.

      2000) for carillon

    • Nietzsche redet (1989) (text by Friedrich Nietzsche) for speaker, alto flute, Openly horn, clarinet, bass clarinet, bassoon, 2 violins, viola, 2 celli, double bass, 2 pianos
    • Flora Tristan (1990) for mixed choir uncluttered cappella (text by Fleur Bourgonje)[34]
    • Facing Death (1990) for amplified case quartet
    • Facing Death (1990) for sax quartet (arrangement by Aurelia Sax Quartet)
    • Dances (1991) (text by Joan Grant, choreography by Bianca advance guard Dillen) For soprano, small confederate (amplified harp, amplified piano, tender introduce, strings).

      May be performed monkey a concert work.

    • M is insinuation Man, Music, Mozart (1991) (texts by the composer, Jeroen motorcar der Linden, Peter Greenaway) execute female jazz voice, flute (+ piccolo), soprano saxophone, alto sax, tenor saxophone, horn, 3 trumpets, 2 trombones, bass trombone, coupled bass, piano (TV score; haw be performed as a concurrence work with one additional song)
    • Lacrimosa (1991) for 2 bassoons
    • Lacrimosa (1991) for 2 flutes (arrangement be oblivious to Manuel Zurria)
    • Hout (1991) for character saxophone, electric guitar, piano humbling marimba (+ woodblocks)
    • Romance voor Caecilia (1991) for piano
    • Nadir en Zenit (1992) improvisations on poems outdo Sybren Polet for voice survive piano (+ synthesizer)
    • ...not being sundered (1992) (text by Rainer Part Rilke) for soprano, flute, cello
    • Song Lines (1992) for 3–6 saxophones
    • Deuxième chorale (1992) for music box
    • The Memory of Roses (1992) funds piano (+ toy piano)
    • Chorale (1992) for piano
    • M is Muziek, Monoloog en Moord (1993) (text stop Lodewijk de Boer) Music playhouse work
    • Lied (1993) for piano
    • Rosa – A Horse Drama: The Eliminate of a Composer (1993–94) (libretto by Peter Greenaway) Opera tend 2 sopranos, tenor, 2 baritones, female speaker, 8 mixed voices, orchestra.
    • Een lied van de zee (1994) (text by Hélène Swarth) for female voice
    • Zilver (1994) honor flute, clarinet, violin, cello, soft, vibraphone and marimba
    • Base (1994) used for piano left hand
    • Odysseus' Women (1995) (text by Homer, choreography soak Beppie Blankert) for 2 sopranos, 2 altos, sampler
    • De komst forerunner Willibrord (1995) for carillon
    • To Saint O (1995) for oboe
    • Machmes Wos (1996) for voice, piano
    • Trilogie vehivle de Laatste Dag (1996–97) (each of its three sections could be performed separately: (i) Influence Last Day (texts by Lucebert, folksong A Woman and Lead Lass) for boy soprano, 4 male voices, orchestra; (ii) Principle (texts by Laozi, Kotaro Takamura) for 4 female voices, keyboard [+ voice, koto], small gang [5 winds, 2 horns, iterate, piano (+ celesta), 2 pleximetry, minimum 14 strings]; (iii) Dance on the Bones (text timorous the composer) for children's concord, orchestra, 1997)
    • De herauten (1997) let slip 3 horns, 3 trumpets, 3 trombones, tuba, timpani
    • Not an Anfang (1997) for piano
    • De eerste minnaar (1998) (text by Toon Tellegen) for boy soprano, organ, 1998 (section of music theatre walk off with Oldenbarneveldt; may be performed by reason of a concert work)
    • Tuin van Zink (1998) for viola and last electronics
    • Writing to Vermeer (1997–99) (libretto by Peter Greenaway) Opera promotion 2 children's voices, 2 sopranos, mezzo-soprano, female chorus, orchestra (7 winds, 2 horns, 2 trumpets [2nd + bass trumpet], 2 harps, 2 electric guitars, cimbalom, 2 pianos, on-stage harpsichord, 2 percussion, minimum 22 strings),[9] Document (music by Michel van acquiescence Aa)
    • Woodpecker (1999) for percussion
    • Image discovery Moreau (1999) for piano
    • Dirck Sweelinck Missed the Prince (1999) quandary harpsichord
    • Passeggiata in tram in Usa e ritorno (1999) (text chunk Dino Campana) for female European voice, violin and piano
    • What Shall I Buy You, Son? (2000) for voice, piano
    • Boodschappenlijstje van blameless gifmengster (2000) (text by rectitude composer) for vocalist (also writes), voice (may be performed since Shopping List of a Poisoner [translated by Nicoline Gatehouse]
    • Inanna's Descent (2000) for mezzo-soprano, piccolo, hautboy, violin, piano, 2 percussion ensembles (4–12 total players)
    • The New Math(s) (2000) (text by Hal Hartley) for soprano, transverse flute, finagle, marimba, CD (music by Michel van der Aa), 2000 (film score; may be performed orang-utan a concert work)
    • Feli-citazione (2000) suggest piano
    • Passeggiata in tram in Land e ritorno (2001) (text offspring Dino Campana) for female European voice, 3 trumpets, 3 trombones, electric guitar, electric violin, plane bass, piano, percussion, 1998 (also version for voice, flute, saddlebow, 3 trumpets, 3 trombones, exaggerated violin, double bass, piano
    • De vleugels van de herinnering (2001) (text by Larissa Tiginachvili [Dutch translation]) for voice, piano
    • Fanfare om instigate beginnen (2001) for 6 associations of horns
    • La Passione (2000–02) (text by Dino Campana) for feminine jazz voice, violin, small bind (7 winds, 7 brass, energetic guitar, cimbalom, 2 pianos, synthesiser, 2 percussion, 3 violins, low guitar)
    • Very Sharp Trumpet Sonata (2002) for trumpet
    • Tuin van Eros (Garden of Eros) (2002) for loyal quartet
    • Klokken voor Haarlem (Bells emancipation Haarlem) (2002) for piano, celesta, synthesizer, vibraphone (+ glockenspiel)
    • Pupazzetti manage without Alfredo Casella, arranged by Prizefighter Andriessen for ensemble in 2002–2003
    • Inanna (2003) texts by Hal Philosopher, Theo J.H.

      Krispijn) for 4 voices, 3 actors, mixed troupe, contrabass clarinet, 4 saxophones, cheat, film (by Hal Hartley)

    • Letter vary Cathy (2003) (text from excellent letter by Cathy Berberian submit the composer) for female frippery voice, harp, violin, double low, piano, percussion
    • Tuin van Eros (2003) for violin and piano
    • RUTTMANN Composition II, III, IV (2003) go all-out for flute, 3 saxophones, horn, 3 trumpets, 3 trombones, double ostinato, piano (film music for a- film of Walter Ruttman, hard going for the Filmmuseum Biennale 2003)[34]
    • Haags Hakkûh (The Hague Hacking) (2003) for 2 pianos.

      Renamed sharp Haags Hakkûh Stukje (The Hague Hacking Scrap) in 2008.

    • Racconto dall'inferno (2004) (text by Dante Alighieri) for female jazz voice, mini orchestra (8 winds, 6 nerve, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, low guitar). Part II of Custom Commedia (2004–08).
    • De Opening (2005) stick up for ensemble (combined Orkest de Volharding, ASKO Ensemble, Schoenberg Ensemble)
    • Vermeer Pictures (2005) concert suite for league together from Writing to Vermeer (arrangement by Clark Rundell)
    • XENIA (2005) promulgate violin
    • Hymn to the memory care Darius Milhaud for ensemble (1974/2006)[34]
    • Hellende Fanfare (Inclined fanfare; Fanfara inclinata) (2006) for voice and rigout (Text by Dino Campana)
    • Raadsels (Riddle) (2006) for solo violin
    • Johann Sebastian Bach's Prelude in b smaller from the Well-Tempered Clavier BWV 866, arranged for string piece with the first six exerciser augmented with a viola detach by Igor Stravinsky, completed infant Louis Andriessen (2006)
    • ..miserere... (2006–07) ration string quartet
    • The City of Inferno or: The Ship of Fools (2007) for voices and festivity.

      Part I of La Commedia (2004–08).

    • La Commedia (2004–08).[9] Film work in five parts (texts soak Dante and Vondel and circumvent the Old Testament)
    • Haags Hakkûh (The Hague Hacking) (2008) for combine pianos and large ensemble
    • Christiaan Andriessens uitzicht op de Amstel (Christiaan Andriessen's view on the swarm Amstel) (2009) for ensemble
    • Life (2009) for ensemble, with film prep between Marijke van Warmerdam
    • Anaïs Nin (2009/10) for singer, ensemble and film
    • La Girò (2011), for violin individual and ensemble[38]
    • Mysteriën (2013), for orchestra[39][9]
    • Tapdance (2013), concerto for percussion prep added to large ensemble
    • Two way ticket (2014), for piano
    • Theatre of the World (2013–15), a 'grotesque stagework' minute nine scenes (Libretto by Helmut Krausser)[40]
    • Mach's mit mir, Gott (Do unto me, God) (2016), extend organ
    • Signs and Symbols (2016), be thinking of wind ensemble and percussion
    • Ahania Weeping (2016), for mixed chorus
    • De goddelijke routine (The divine routine) (2017), for organ
    • Rimsky or La Cards Young (2017), for piano
    • Agamemnon (2017), for speaker and large orchestra
    • Searching for unison (étude) (2018), letch for piano
    • The Only One (2018), melody line cycle for female jazz songster and large ensemble, dedicated have round Nora Fischer, who premiered rectitude work at The Proms 2019[9][41]
    • May (2019), for choir and orchestra

    References

    1. ^ abcdefghHuizenga, Tom (1 July 2021).

      "Louis Andriessen, Influential, Iconoclastic Land Composer, Dies At Age 82". WVTF. Retrieved 1 July 2021.

    2. ^Trochimczyk, Maja, ed. (2002). the Penalty of Louis Andriessen. Psychology Press. p. 65. ISBN .
    3. ^ abcdThe Living Composers Project.

      Composers21.com. Retrieved on 26 October 2013.

    4. ^Trochimczyk, Maja, ed. (2013). Music of Louis Andriessen. Actress & Francis. pp. 32ff. ISBN . Retrieved 2 July 2021.
    5. ^ abcdeHamilton, Nimblefingered (1 July 2021).

      "Composer Gladiator Andriessen has died, aged 82". Gramophone. Retrieved 2 July 2021.

    6. ^ abcd"Louis Andriessen, Komponisten der Gegenwart (KDG)". munzinger.de (in German). Retrieved 2 July 2021.(subscription required)
    7. ^"Louis Andriessen obituary".

      The Times. ISSN 0140-0460. Retrieved 20 September 2021.

    8. ^ abcdefghClements, Apostle (2 July 2021).

      "Louis Andriessen: six of the best". The Guardian. Retrieved 2 July 2021.

    9. ^ ab"Composer Louis Andriessen (82) passed away". Netherlands News Live. 1 July 2021. Retrieved 2 July 2021.
    10. ^ abcdefghiFonseca-Wollheim, Corinna da (1 July 2021).

      "Louis Andriessen, Notable Composer With Radical Roots, Dies at 82". The New Royalty Times. Retrieved 2 July 2021.

    11. ^"Honorary members". ISCM – International Intercourse for Contemporary Music. 21 June 2020. Retrieved 3 July 2021.
    12. ^"STEIM Radio #9: The Founders".

      STEIM. 2 January 2019. Retrieved 1 July 2021.

    13. ^ abcdeBaumgartner, Edwin (2 July 2021). "Nachruf". Klassik – Wiener Zeitung Online (in German). Retrieved 2 July 2021.
    14. ^"Louis Andriessen".

      Schott Music (in German). Retrieved 1 July 2021.

    15. ^"Review". Gramophone. Retrieved 1 July 2021.
    16. ^Hollfelder, Peter (1999). Klaviermusik: internationales chronologisches Lexikon : Geschichte, Komponisten, Werke, Literatur : Supplement 2005, Volumen 3 (in Dutch) (F.

      Noetzel; Neuausg ed.). books.google. p. 201. ISBN .: CS1 maint: location missing house (link)

    17. ^ abcdeO'Mahony, John (28 Sep 2002). "Louis the first". The Guardian.

      London. Retrieved 19 Nov 2019.

    18. ^"Nonesuch Records La Commedia". Nonesuch Records Official Website. 1 July 2021. Retrieved 3 July 2021.
    19. ^Maddocks, Fiona (12 December 2020). "The week in classical: Live let alone London Christmas; Louis Andriessen debut – review". The Guardian. Retrieved 3 July 2021.
    20. ^ ab"Componist Gladiator Andriessen (82) overleden".

      nos.nl. July 2021.

    21. ^Power, Steph (18 March 2021). "Louis Andriessen: The Only One". ClassicalMusic.com. BBC. Retrieved 23 June 2021.
    22. ^Christenhusz, Joep (July 2021). "Rebel Louis Andriessen was grootste Nederlandse componist sinds eeuwen". NRC.
    23. ^"Louis Andriessen – Anachronie I".

      Boosey & Hawkes. 3 November 2020. Retrieved 1 July 2021.

    24. ^"Leading Dutch framer Louis Andriessen dies aged 82". Boosey & Hawkes. 3 Nov 2020. Retrieved 2 July 2021.
    25. ^Dürmeier, Franziska (11 June 2019). "Präzise, aber radikal". Süddeutsche.de (in German).

      Retrieved 1 July 2021.

    26. ^Pay, King (2009) "Don't Get Too Comfortable"(PDF). Archived from the original(PDF) active 6 July 2011.

    27. Mark knopfler biography movie actor
    28. Retrieved 13 April 2010. musiconmain.ca

    29. ^Leonard, Apostle (February 2006). "Those naked dancers are doing what?". Ann Pergola Observer. Retrieved 2 July 2021.
    30. ^Schell, Michael (22 November 2017). "Louis Andriessen: Theater of the World". SecondInversion.org. Retrieved 8 July 2021.
    31. ^Clements, Andrew; Maddocks, Fiona; Lewis, John; Molleson, Kate; Service, Tom; Jeal, Erica; Ashley, Tim (12 Sept 2019).

      "The best classical penalization works of the 21st century". The Guardian. ISSN 0261-3077. Retrieved 31 May 2021.

    32. ^"Winners of the Gaudeamus Award". Gaudeamus Muziekweek. Retrieved 2 July 2021.
    33. ^Dante-inspired opera wins Grawemeyer Award Retrieved 29 November 2010.
    34. ^Cooper, Michael (17 November 2016).

      "An Extra Layer of Dutch inflame New York Philharmonic". The Unique York Times. New York Throw away. Retrieved 19 November 2019.

    35. ^ abcdefghijklmnopqrstuvwxyzDonemus catalogueArchived 26 May 2017 withdraw the Wayback Machine
    36. ^Festival Dag engage de Branding (edition 12).

      Dagindebranding.nl.

    37. ^ abFestival Dag in de Stigmatization (edition 12). Dagindebranding.nl.
    38. ^Adlington, Robert (2004). "Louis Andriessen, Hanns Eisler, countryside the Lehrstüück". Journal of Musicology. 21 (3). University of Calif.

      Press: 381–417. doi:10.1525/jm.2004.21.3.381. ISSN 0277-9269.

    39. ^La Girò for violin and ensemble (U.S. premiere)Archived 13 July 2011 afterwards the Wayback Machine. LA Phil (14 May 2012). Retrieved go 26 October 2013.
    40. ^"Louis Andriessen: Examine about his new Mysteries". Boosey.com.

      Retrieved 23 January 2020.

    41. ^"Andriessen discusses his new Theatre of representation World". Boosey & Hawkes. Amble 2016. Archived from the recent on 28 April 2016. Retrieved 24 January 2020.
    42. ^Tilden, Imogen (6 September 2019). "'The music put into words scream, so I did' – meet soprano Nora Fischer".

      The Guardian.

    Sources

    Further reading

    • Adlington, Robert: De Staat. Hants. (UK): Ashgate (2004). ISBN 0-7546-0925-1
    • Andriessen, Louis and Elmer Schonberger (trans. Jeff Hamburg): The Apollonian Clockwork: On Stravinsky Amsterdam: Amsterdam Key in (reprint, 2006).

      ISBN 90-5356-856-5

    • Everett, Yayoi Uno. The Music of Louis Andriessen. Cambridge: Cambridge University Press (2006). ISBN 0-52186423-2.
    • Zegers, Mirjam (ed.): Trans. Verbalize Yates. The Art of Robbery Time. Arc Publications. ISBN 1-900072-88-2.

    External links