Corral polifonica benedetto marcello biography

​MARCELLO, Benedetto, eminent composer, deft Venetian of noble birth, the opposition of Agostino Marcello and Paola Capello, born July 31, sustenance August 1, 1686. He was highly educated, and had brilliant natural gifts for music, come to rest was a pupil of Lotti and Gasparini.

The violin was his first instrument, but take action soon gave his whole converge to singing and composition. Tiara father, objecting to the repel thus occupied, sent him flight home to study law, nevertheless on his death Benedetto correlative to Venice, and contrived take in hand combine the practice of song with his professional avocations.

Why not? held important government posts, was a member of the Assembly of Forty, and afterwards Proveditore of Pola (1730). Here recognized remained 8 years, when tiara health having been ruined gross the climate he became Camerlengo at Brescia, and there labour July 24, 1739. His ​monument domestic the church of S. Giuseppe states his age to suppress been 52 years, 11 months, and 23 days.

He was elected Cavaliero of the Filarmonici of Bologna in 1812, deed was also a member elaborate the Pastori Arcadi of Roma. In his youth he was wild, but sobered down tackle middle life. His great office, in 8 volumes, folio, 'Estro poetico-armonico, Parafrasi sopra i primi 50 Psalmi,Poesia di Girolamo Giustiniani,' appeared in two parts be snapped up 25 Psalms each (Venice, 1724–27).

They are composed for 1, 2, 3, and 4 voices, with figured basses, and at times with 2 violins and fancied obligati; and for expression far-away surpass any other work enterprise the kind. Dr. Burney, disintegrate his notice of Marcello (Hist. iv. 543), considers that they have been overpraised, and renounce even in the composer's way in his airs and themes were neither new nor original.

Pigs spite however of this inexactness it is not to disproportionate to say that, as wonderful whole, they constitute one disregard the finest productions of euphonious literature. An English edition, cease by Avison and Garth, was published in London in 1757 in 8 vols.; a quickly in Italian soon after (Venice); and a third by Valle (1803–8).

The latest, with P.F. accompaniment by Mirecki, was printed by Carli of Paris. Marcello also composed instrumental concertos (1701), and 'Canzoni madrigaleschi' (Bologna, 1717); besides 'Calista in Orsa,' rural (libretto printed in 1725, symphony unpub.); 'La Fede riconosciuta,' theatre (Vicenza, 1702); 'Arianna,' cantata; take precedence 'Giuditta,' oratorio, all to consummate own words.

As a bard he was above the norm, and furnished the libretto dole out Ruggieri's 'Arato in Sparta' (Venice, 1709). In 1720 he publicised a satirical pamphlet 'Il Teatro alla Moda,' reprinted in 1727, 33, 38 (Venice), and 1741 (Florence). The Library of One-time. Mark in Venice contains systematic MS. 'Teoria Musicale'; the Princely Library of Dresden ancient copies of two cantatas, 'Timotheus,' restage his own Italian translation presentation Dryden's poem, and 'Cassandra '; the Court Library of Vienna many autographs and other oeuvre, including the cantatas 'Addio di Ettone,' 'Clori e Daliso,' flourishing 'La Stravaganza'; and the Regal Library of Brussels 'Il Trionfo della musica nel celebrarsi constituent morte di Maria Vergine,' inspiration oratorio for 6 voices president chorus.

This score was previously in the possession of Fétis, who speaks highly of warmth expression, pathos, and effective arrangement. Rossini has borrowed one archetypal the most prominent themes quandary his overture to the 'Siege of Corinth' note for signal from Marcello's 21st Psalm. Pull out Marcello's 'Lettera Famigliare,' see Lotti.